Music

[Tree]

I'm a little hurt. Might take a few months off from this thread.

[Jungle Rat]

3844005_yeshappyman_jpeg8d0d58df4e4e54d13a1009b0f0b58fec.jpeg (35.08 KiB) Viewed 409 times

[Jungle Rat]

Kid Rock Canceled Concert

[hedge]

Middle-age riot!!!

[Jungle Rat]

Klan Rally Gone Bad. Did you find e in the crowd?

[hedge]

He could've broken that guy's spine with that tackle at the end...

[hedge]

Guy is just standing there posing like Lou Ferrigno from the Hulk TV series, then gets slammed...

[Jungle Rat]

It was beautiful

[hedge]

Captain & Tennille were American recording artists whose primary success occurred in the 1970s.[1][2] The husband-and-wife team were "Captain" Daryl Dragon (August 27, 1942 – January 2, 2019) and Toni Tennille (born May 8, 1940)...

During the duo's period of highest popularity, Tennille also worked as a session singer (most frequently partnered with the Beach Boys' Bruce Johnston), performing as a backing vocalist on the Elton John albums Caribou, Blue Moves, and 21 at 33 (some vocally arranged by Dragon) and most notably on the hit track "Don't Let the Sun Go Down on Me". She also appeared as a backing vocalist on tracks by Art Garfunkel and the Beach Boys, as well as Pink Floyd for whom she performed backing tracks on The Wall album.

In the liner notes of the Captain & Tennille anthology Ultimate Collection: The Complete Hits, Tennille explains how her work on Pink Floyd's album gained her at least one new fan:

I went to see the Pink Floyd concert at the Sports Arena in Los Angeles. There was a 15-year-old boy sitting in front of me who recognized me. He turned around and snottily said, 'What are YOU doing here?' So I told him I sang on the album. He ran off to find a friend who had brought the LP to the show, and looked at the back to see if my name was really on there. A few minutes later, he came back and apologetically said, 'Can I have your autograph?'

— Tennille, Ultimate Collection: The Complete Hits

[Jungle Rat]

This was IBs parents favorite song growing up.

[Jungle Rat]

I did wank it to her though.

[Tree]

I heard these sumbitches are back. I don't even care about any political revolution. I don't have a problem I need the milktoast right of center Democratic party to fix. Yet. I just wanna have some fun.

[Jungle Rat]

[Jungle Rat]

[Jungle Rat]

Just in time for breakfast

[innocentbystander]

Olivia, I love you. I honestly love you.



Rest in Peace my love

[Jungle Rat]

You're next

[DooKSucks]

Olivia, I love you. I honestly love you.



Rest in Peace my love

She participated in the making of Grease. I’m surprised her punishment didn’t come sooner.

Here’s to hoping your punishment is more timely and that you will never be able to read this….

[Jungle Rat]

[innocentbystander]

Olivia, I love you. I honestly love you.



Rest in Peace my love

She participated in the making of Grease. I’m surprised her punishment didn’t come sooner.

Here’s to hoping your punishment is more timely and that you will never be able to read this….

National Review (more specifically Katherine Jean Lopez on National Review) wrote an article about Grease. She said it was not a good movie because it showed the "pretty" being overcome by the "hot." Sandy was always "pretty" in the movie. But (at the very end) she had to become "hot" in order for Danny Zucko to be interested in her. "Pretty" just didn't do it. That is an awful message and it was what bothered KLO. A woman can be "pretty" almost all of her life. She can only be "hot" for a very short amount of time.

But no, there was no punishment here. I loved Olivia Newton John. Any sane human being did. And there was nothing wrong with Grease from a "musical" standpoint.